Sunset Photo Manipulation

Manipulation 02
Manipulation of photographs and painting on paper.

I wrote in a recent post about my interest in manipulating my photographs to make them look like paintings. The sample I included was a skyscape. I like skies. And water.

Skies would not be skies without clouds. I could look at clouds all day.

The photo above is another skyscape. It is a combination—a collage—of photographs and paintings. I used oil paint for the sun and some of the clouds and watercolor for parts of the sky. It looks almost surreal.

A lot of effort went into making this picture—more time and effort than I usually contribute to this style of art.

But it was fun. And for me, that’s what art is all about.

Skyscape Photo Manipulation

Manipulation 01
Photo manipulation of mixed media on paper.

Photo manipulation has a long history, beginning not long after the creation of the first photograph (1825) by Joseph Nicéphore Niépce. Anyone interested can read the history at Wikipedia.

I recently became interested in manipulating some of my photographs to make them look like paintings. I tried various methods of applying paints and inks to the photos and came up with some interesting if not bizarre results. Learning to control those results has become a skill with a bit of good luck thrown in.

Other methods—to name a few—are cutting and pasting different photos into “coherent” collages, scanning and printing photos to paper, and using computer programs like Adobe Photoshop to manipulate the photo images. These three methods are not new either. I made photo collages 50 years ago in high school, scanned and printed photos at college, and played with Photoshop in the 1990s. Using Photoshop is a major task to learn and one I never had time for or took seriously.

Manipulating photographs has a stigma of deception to it because it fools the viewer into believing something that is not true. This issue arises because too many of us believe the camera does not lie. Any photographer can tell you that our camera lenses distort reality every time we snap a photo.

But I am not here to argue the science of photography or the ethical implications of photo manipulation.

For me, manipulating a photograph is another artistic form of expression. I did it with 35mm film when I froze it before loading it in my camera. Freezing cracked the emulsion on the film and made interesting web-like lines on the photos when developed. Adding inks and dyes often enhanced the crackled images.

I also experimented with double exposure, negative scratching, shooting with special lenses, and darkroom manipulation involving dodging, burning, and masking.

Lately, manipulating images has been fun to do again. And having fun is the key to being an artist who constantly produces art. The more I work with manipulation, the more abstract my art is. I understand better how colors, shapes, and designs attracted abstract artists.

Whichever side of the fence you are on, photo manipulation is an interesting visual tool—it makes a picture well worth a thousand words or more—and requires a lot of creativity, precision, and skill.

He Cannot Change Her [poetry]

She clothes herself in her past transgressions
And she likes how she looks in them
Their style
Their color
Their length

But he would strip her naked of her past
Just to dress her like a doll he likes
But he’s not her
He can’t change her—
No

She dresses herself in everything he hates
Although she’s really everything he loves
Her sex
Her world
Her life

But he would strip her naked of her religion
Just to dress her like the Christ he wears
But he’s not her
He cannot change her—
No